Fort Worden, Washington is one of my favorite places, for a LOT of reasons. It's got an amazing history, it's haunted as hell, there are super cool military ruins that you can explore at will. I recently submitted an article to Atlas Obscura, and did this illustration to show how Ft. W. worked with other nearby artillery bases to form a triangle of fire that protected military assets in Puget Sound from seaborne invasion (this was in the days before air superiority in warfare).
Wednesday, October 25, 2017
Wednesday, August 16, 2017
Many, many years ago, as a young graphic artist working in an ad agency doing line art, I fell in love with the usual heroes: Durer, Hokusai, etc. I particularly loved Hokusai's crane drawings with one stroke of the brush.
Flash forward to yesterday, and I'm messing about with my Windows Surface Pro ink stylus, with a new app called Bamboo Paper (made by the folks at Wacom who know a thing or two about inking). Well, the pressure effect between the Surface screen and the Bamboo app was pretty great, so naturally I decided I would try to do a one-stroke drawing. Of course, it was super easy and worked out perfectly the first time! (I gave up on the one-stroke bit quite soon after I started)
The drawing was inspired by a one of my favorite photos: Elspeth Beard, the first British woman to ride her motorbike (an old BMW boxer!) around the entire globe, pulled over to chug warm water in a smoking hot desert, probably in someplace that ends in -stan. I can only explain a bit of why I love the photo so much: the figure she cuts is Wonder-Woman-style bad ass AND don't-care simultaneously. And I love the romance of old adventure photos.
Here's the actual:
I'm not sure if it's wise to try to sketch one's favorite photo, but there you have it. The brush app worked great, anyway :D more to come, as it was fun!
Friday, February 24, 2017
Dusting off my Photoshop, here's an infographic I developed for a grassroots org I am co-developing to flip the Washington State Senate to the Democrats this November! We've been apart for a while, Photoshop and I. We've both changed a lot :\
It was a dark and stormy '90's night: I was alone at work laying out the next edition of The Stranger. Suddenly the phone rang :O the mysterious voice was a guy calling from China who had some urgent questions about how to publish a newspaper. Like, 'how do you such and such in QuarkXpress?' and 'what is the so and so with web presses?' We talked for a while, then the next night talked again, and then the next night again. One year later, I was on the ground in Beijing.
In between those two bookends were some pretty awesome magical moments:
- The 2 months we set everything up in Honolulu: databases, swimming, layout, surfing, designing a brand and logo, boogie boarding, buying and setting up computers, and surfing;
- The loading of 5 computers/monitors, scanner, printer, and everything else up into 12 human-body sized black duffel bags ... we were going to have to smuggle everything into China;
- The sneaking of 12 ginormous duffels past the customs guys in the Beijing airport. Our bags were so huge that they were only unloaded off the plane after all the other passengers had gone. Our only chance was to make a distraction, so one of us went through with a single bag. He, of course, got caught and started an awesome argument. All the other customs agents went to observe and we rolled 3 carts piled about 7' high with 11 black duffels right behind them and out the door;
- My email, which I was told was one of the very first in China, that I got through a friend in the Stanford High Energy Physics joint venture;
- The bribing of the party, the army, the police, the mafia, the landlords;
- The time we got caught publishing without a license. We went before the ministry of information with an unopened manila envelope from Hong Kong. We had put 5 copies of the paper in an envelope, mailed it to a friend in Hong Kong. He put them in a new envelope and mailed them back. We opened them in front of the officials and said "See, we are not publishing in Beijing. We are a Hong Kong publisher." And it worked.
- The eating of fried baby sparrows on a stick, live leeches, animal fat with hair on it, and the 'Three Squeals,' which is a live rat embryo (OK, I didn't eat the Squeals. But it was an actual thing);
- The first issue, which we delivered at night as we were not legal to publish. We dropped off the papers in bundles of 50 to our distribution points. Once business hours came around, we called to ensure that they got picked up. They were GONE. Turns out that the little old ladies that walk around picking up stray paper for recycling had grabbed all of them.
- The time our printer guy printed about half the pages upside down because he couldn't read English;
- The time I moved into my apartment, and the girl who was moving out hadn't yet fully gotten her stuff out yet. So I tossed her stuff out on the porch. She must have come by and gotten them at some point, because they eventually disappeared, but I never actually met her;
- The time, years later, when I married that girl in Seattle. And the time after that when she and I went to a friend's house and met some other people who lived in that same apartment (2-1-1 Qijaiyuan) and they left a table that she took with her to Hong Kong and then to Seattle and at that moment was in our house, and they proved it by pointing out that the white stuff in the wood cracks was bird poop from their parrot;
- and some more, I am sure, as I remember it :)
Monday, February 20, 2017
Spruce Island is a small rock near Kodiak, Alaska, and I was dispatched there to write about an annual pilgrimage to the longest-running Russian Orthodox community in the United States. Sadly, I've lost track of the video and audio and the other interactive bits :(
Forest cathedral: Pilgrimage to Spruce Island
Stepping off the bow of the skiff, the icy water is shockingly cold. For the last hour, rough Alaskan Pacific seas have sent sheets of spray over crew and cargo, dampening clothes but not spirits. Wading on stiff legs to the black sand beach, they congratulate each other on their arrival at one of the most isolated and spiritual Orthodox Christian sites in the West, the Shrine of St. Herman on Spruce Island, Alaska.
It’s the morning of August 8, the overcast skies are still gray after an hour’s journey from Kodiak by fishing boat, and a small group of pilgrims are standing ankle-deep in Monk’s Lagoon. While a second skiff tenders to the beach with more people and supplies from the 50-foot salmon seiner anchored offshore, those on the shoreline are portering boxes of food above the tide. As the incoming skiff grinds to a halt some ten feet from the beach, the four parishioners in the small boat peer down at the cold water, then look to the others on shore quizzically.
“Over here!” echoes a faint cry from the far side of the lagoon, after the splashing and groaning is complete and the new load of pilgrims and supplies are safely landed. The skiff is pushed off, and the disembodied voice again drifts around the lagoon. “Over HERE!” A hundred yards away, a black-robed figure beckons to a portal through the trees.
The voice belongs to Rev. Dr. Michael Oleksa, Dean of the St. Herman Seminary on Kodiak Island and one of the organizers of the pilgrimage. “We can’t have people wandering off around here,” he says, as several start down the wrong trail. Calling again, he gathers the group together at the trailhead to the small chapel and erstwhile home of St. Herman, the island’s dominant historical figure and spiritual heart of the pilgrimage.
Orthodox Christianity, deeply rooted in Alaska since the founding of Russian America in the mid-eighteenth century, has found a sacred cornerstone in the raw natural setting of Spruce Island. A powerful blend of spirituality, history and adventure annually draws Orthodox Christians from all over the world to nearby Kodiak on August 7th, 8th, and 9th, for a series of church services culminating in the symbolic day trip to the shrine on the island. This year, some 50 pilgrims are seeking to sip water from the holy spring, anoint themselves with sacred soil, and take in the rustic sanctity of the forest chapel.
For some, like Jane Szepesi of Ottowa, the journey is a once-in-a-lifetime experience. “The whole thing has been an adventure for me.” she says of her month long journey, driving and camping alone from her home in Ontario to Alaska. “I didn’t even know if my car would make it to Winnipeg.
Others living in closer proximity, like Anchorage resident Lucinda Wolkoff --whose husband owns the fishing boat that brought the group to the island-- return to the island annually and simply can’t stay away. “Every day I want to come back,” she says. “It’s so pretty here, I just want to cry.”
Spruce Island, roughly 10 miles long and 3 miles wide, is a richly forested member of the Kodiak Archipelago in the Gulf of Alaska. With only one small community of 50 inhabitants, Ouzinkie, and no scheduled boat or air service, the island has a feeling of profound isolation despite being only 10 miles from the town of Kodiak.
The rugged topography of the region reflects that a mere 10,000 years ago the islands were still covered by glaciers from the last ice age. Situated near the foot of Alaska’s Aleutian Chain –home of more than 50 active volcanoes— the archipelago is also parked in one of the most active geologic neighborhoods on the planet. The residents have been repeatedly reminded of this, most notably on March 27, 1964 when the town of Kodiak was swept by a 35-foot tsunami caused by a massive earthquake carrying twice the force of that which destroyed San Francisco in 1906.
On calmer days, the Alaska current flows peacefully around the islands, fostering a rich marine ecosystem tied tightly to the fishing communities in the area. Salmon, halibut and crab, the most commercially important species, are in rich abundance, as well as the harbor seals and otters that originally attracted the Russian merchants and fur traders in the early eighteenth century.
Russian explorers lost little time establishing a beachhead in the Aleutians, much to the detriment of the indigenous Altiiquts, who were exploited as hunters and manual laborers in the fur trade. Brutal treatment, along with tragic losses due to the induction of European diseases, severely strained the Russians’ relationship with the natives that they regarded as a valuable labor resource. In the hope that a church presence would help pacify the situation, the trading company invited several rugged Orthodox clergymen from a monastery on the Russian/Finnish border in 1794.
It was not an easy assignment. “They were selected because they were used to the northern climate,” says Dr. Lydia Black, a retired anthropology professor from the University of Fairbanks, who is volunteering her time to sort through the Russian-American archives in the basement of the seminary in Kodiak, “and they were used to very hard work.”
But things didn’t go as planned, as the clergy quickly sympathized with the Altiiqut. The eldest of the group, Brother Herman, was particularly outspoken in their defense. After running afoul of the company, Herman relocated from the church in Kodiak (where the modern successor to the Russian American company still operates today) to Spruce Island, where he constructed a barabara, a crude subterranean dwelling.
His departure to an ascetic lifestyle did nothing to lower his profile. Over the next three decades, his indefatigable benevolence –teaching and caring for the infirm and orphaned Altiiqut-- raised his reputation to mythical proportions: local traditions arose in which he conversed with animals, halted a tsunami, stopped a forest fire, and prayed into existence a sacred spring where there was no fresh water. He also had considerable influence in Russian society. “Captain Galavnin, a very famous naval commander, was very impressed,” says Black. “He checked every piece of information he got from the administration with Herman.”
Herman remained on the island for the rest of his life, a venerated healer, educator and intellectual known throughout Russian America. His passing in 1836 also did not stem the tide of his popularity: shortly after his death natives built the shrine over his home that still stands today, and number of visitors to the site hasn’t waned since. On August 9, 1970, Herman was canonized as the first Orthodox saint in Alaska, and the Holy Resurrection Church in Kodiak has since organized the yearly pilgrimage to commemorate that day.
“Coming to Spruce Island is like coming to the Holy Land,” says Father Oleksa. The pilgrims, conversing eagerly about the boat trip once they landed on the beach, have grown quiet and introspective upon entering the forest. What conversation remains is now spare, and long silences are broken only by whispers and low tones. Walking slowly and stopping often, the group tapers out. “As you walk through this forest, it’s as if one has entered the most sacred, ancient cathedral. But it’s a cathedral made of forest… of trees of moss, of vines and berry bushes, of devil’s club leaves and a thick soft carpet underfoot. Quiet… peaceful… and most of all, holy.”
In the shadowless, diffused light of the old growth timber, the moss-covered path weaves its way gently through the hundred-foot columns of Sitka spruce which give the island its name. A hushed breeze gently lifts the broad leaves of devils club, only hinting of the flattening gales that siege the island in winter. Salmon berries, a sweet, watery cousin of the blackberry, swing heavily on bent stems. Thick shags of moss hang from the towering spruces, many of which house tiny shrines, simple eaves holding a candlelit icons of Alaskan saints.\
A ten minute walk from the beach, the small white chapel of St. Herman sits nestled in the edge of a clearing barely large enough to contain it. Gathering around the chapel, a sturdy structure with the characteristic three-barred cross on its peak, the group waits for the Bishop to arrive (he had the combination to the lock. When it was discovered that the wait would be considerable, one pilgrim, in authentic Alaskan mien, brandished a Leatherman tool and quickly un-hinged the door).
Stepping inside the chapel during Divine Liturgy is an immersion of sight, smell, and sound: no senses are left in poverty. Elaborately robed and belted clergy fill the room with hymns and lyrical prayers, with frequent rejoinders from the parishioners. Potent layers of incense, swung from golden censers, fill the room with a bouquet. Spanning the walls and podiums are arrays of richly hued icons, their gilded frames reflecting the light thrown from intricate candelabras. The thirty or so parishioners who could fit in the chapel are anointed with oil, kiss the icons, and sip sacramental wine. After the walk through the pristine forest, the experience is nearly overwhelming.
The rich sensory nature of Orthodox services, from the onion-domed architecture to ornate system of icons, is not merely for aesthetic purposes. Rather, the church’s dogma itself is carried almost entirely in artistic vehicles: The hymns, icons and orations convey every tenet of the faith. “There are no books or lessons to carry. The hymns are a capella --no organs or other instruments—so you have everything you need with you,” says Father John Peck, a priest in St. Herman’s Chapel in Fairbanks. In the rural Alaskan villages, where daily struggle with nature is a reality of life, the lack of accouterments has played a role in the church’s proliferation.
Indeed, nature itself is embraced by the Orthodoxy, a marked departure from many other western faiths. “Everything material is capable of becoming sacred,” says Father Peck.
A noble life, like that of St. Herman, “reverberates in the natural world… it affects the earth the trees, the air, the sky,“ says Father Oleksa. “It makes this place where a holy person has lived …a sacred place.” A deep-seated inseparability between the saint, the spirituality and the island has developed, and nobody seems capable of, or particularly concerned about, distinguishing between the three.
Six hours after arriving, the pilgrims are gathered back on the black sand beach of Monk’s Lagoon for the trip home. The atmosphere is quiet and contemplative, and many stay just within the treeline as if reluctant to leave.
Spruce Island has a “kind of a timelessness about it,” observes Ms. Szepesi, reflecting on the morning she spent at the chapel. As the skiffs buzz in from the fishing boat, the quiet group stands, gathers their gear, and takes in one last memory of the saint, his home, and the nature that surrounded them in the forest shrine. “I feel like I could just stay here forever.”
Friday, February 3, 2017
This goose-goose mashup was started in the late eighties, likely because of my love and fascination with bush planes (I grew up in Alaska, and flew regularly on beavers, otters, 185s, cubs, champs, and even a twin-Beech on floats). I cannot remember what it was for (a book project?), but from a technique persepctive, it looks like I laid the background and big color swaths with airbrush and then went over it with pencil. The finishing touches are kind of obvious - I had to do the beak, cheek, engine, and props in Photoshop (which I tried to do in as few strokes as possible, but that ended up looking weird because of the ragged tooth of the paper. I kind of solved that by rubber-stamping the tooth into those areas, and then brushing with lighten/darken to let the grain come through). Anyway, a couple decades from start to finish :D
Sunday, January 1, 2017
Over the holiday break, a group of friends and family snuggled down for a (very long!) evening to watch you in Titanic. I’d never seen your movie before. I know, crazy. How I managed to dodge your juggernaut I will never tell, so don’t even ask (my late-90’s media diet is a deep ocean of secrets).
Anyway, at the end of the film - as you know - the old version of you tosses the bazillion-dollar necklace forever into the watery abyss. Rose, I was on totally board with you until that point. So, I’m writing this to tell you straight up: you are dumb for tossing the huge diamond off the ship, for at least one of three reasons:
1. It was a failure as a gesture of devotion or closure. Rose, if you tossed the necklace to honor your lifetime of love for Jack, then you clearly didn’t know him at all. Your film took great pains to make the case that not only did he have no use for wealth, his cashless riches were the center of his entire character. In fact, those riches were the very keys he used to spring you from the golden cuffs that bound you to your d-bag fiancé. Was Jack’s unrested soul wandering the ocean floor, waiting for the bazillion dollar necklace? Please. Was throwing the necklace a peace offering to atone for how you secretly carried it as a safety net during your adventuresome (?) life between the movie timelines? More likely, I think, but that’s not very flattering so probably not.
Now, your D-Bag fiancé – perhaps the least-interesting character I’ve seen in any movie – is exactly the type of jackhole who actually would wander the sea floor moaning and rattling chains about a lost necklace. Throwing it to him would have made a great statement, but sadly, his plotline was nipped short.
2. It fails as a statement about the corrupting influence of money. Rose, your arc does a great job of showing us that poor people can live rich lives, and that rich people can be miserable, and that both are easily trapped by the grinding social rigors of maintaining class. The poor are – literally - locked in the bilge of a sinking ship by the rich people with the keys. The rich are – figuratively – locked in a death march to maintain airs and graces. So why not make a grandiose statement by throwing your symbol of ultimate wealth into the waves where it can never be retrieved? Well, because that is stupid.
If you wanted to make a real statement, why not use the immense value of the necklace to start a ranch for young rich girls to break free from their D-Bags and learn to ride horses, like you did? And that’s just off the top of my head. Imagine if Bill and Melinda Gates said “we believe every human being has the right to live a healthy, productive life. So, we’re going to dump all of our money into the ocean.” I hate to say it, but that’s exactly what you did.
3. It succeeds as maudlin cinematics. And finally, Rose, there is the possibility that your regrettable action is not in the natural flow of your character, but was awkwardly shoehorned into you by a pragmatic and ruthless screenwriter. If I was a betting man, this is where I would plunk down my own gigantic diamond necklace. I believe you were coerced into doing this thing to twist the knife in those members of the audience who were not sufficiently moved by Jack’s death. Or maybe that’s just what I want to believe, because I see great things in you. But even if it is not your fault, it still is a stupid thing to do, by proxy.
So, there you go. Sorry if that was a little blunt, but I thought you would appreciate the straightforward feedback.